The Green Hornet vs. How to Die in Oregon

You were at the director’s brunch; I was at the director’s brunch. Our eyes met. You smiled. Then I waved, which admittedly might have been a little misleading.

The lead of Rooftop grantee Sean Durkin’s astonishing debut feature Martha Marcy May Marlene is one of the most fascinating and damaged characters in recent cinema.

Updates from a busy third day of Sundance.

My film Pioneer premiered last night. As you can see from the pictures, I was, in fact, there. Any suspense over whether or not I would gain admittance to my own screening can now be laid to rest.

The director is a small, bug-eating gnome. Between 25-35 years old, caucasian male with a bearded face.

My Sundance to do list: Arrive, replace toiletries thrown away by the TSA, watch non-California-based filmmakers sample oxygen bar with air of giddy why-notism.

It is kind of hard to imagine that I only arrived in Park City at 7 PM Thursday. Something about seeing 7 feature films makes a day seem much too epic to have lasted merely 24 hours. But it was a tremendously satisfying day, to be sure, and I have already seen several films that […]

Dee Rees’ debut feature film Pariah demonstrates an insightful give and take of love and need, anger and forgiveness, anguish and growth in the life of a gay black teenage girl in Brooklyn.

First screening of Incident by a Bank. Sold out and ticket scalpers outside the theater even though the screening took place far from Park City in an Jewish Temple!!!