Ira Sachs, director of “Last Address” spoke with Rooftop Films about his film, which honors the memories of artists who died from AIDS by visiting their final residential addresses.

45365, one of the most beautiful, fascinating, unique feature films of Rooftop’s 2009 season, is playing at the Anthology Film Archives from June 17-24. The glowing review in The Times called it “a beguiling slice of Midwestern impressionism.”

On May 5-8, Rooftop Films hosted screenings on a roof in Toronto, in conjunction with Hot Docs. The nights were chilly, but the movies and views were spectacular. Check out the pics!

Lila Place, director of “Pool,” talks to us about the public pool as microcosm for New York City, and how sometimes following the rules is an essential part of having fun.

Rooftop alumni Emily Kunstler and Sarah Kunstler’s film Disturbing the Universe is a gripping documentary portrait of their radical defense attorney father, William Kunstler. See it Tuesday, June 22nd on PBS.

Rooftop Films spoke to filmmaker Gary Leib, whose animation has appeared in numerous films including “American Spendor,” about how his film seemingly predicted the 2008 stock market crash.

Filmmaker Rachel Tracey talks about meeting the subject of her documentary “A Grumpy Old Man,” and why collecting clocks makes sense after that moment in your life when time stood still.

Who says there’s no such thing as a free lunch – or dinner?

In “Prince/William,” director Keith Miller subtle weaves a complex story of race and class in the changing strata of New York neighborhoods out of a simple conversation between strangers.

Jeremy Lamberton, director of “Biker Fox”, talks to Rooftop Films about documenting Tulsa’s quasi street performer bicyclist as a wild animal.