Posts Tagged ‘Sundance’

by Dan Nuxoll
January 24th, 2011

Wanna know what made me cry and what made me dance at Sundance? Plus exciting news for Rooftop Alum Sean Durkin.

by Calvin Lee Reeder
January 24th, 2011

Lindsay Pulsipher, star of my Sundance film The Oregonian (and recently seen on True Blood), gets thirsty.

by Calvin Lee Reeder
January 24th, 2011

Got interviewed by John Salley, said he had a new line of vegan foods out. I suggested he change his name to John Salad. He laughed out of kindness.

by Emily Carmichael
January 23rd, 2011

You were at the director’s brunch; I was at the director’s brunch. Our eyes met. You smiled. Then I waved, which admittedly might have been a little misleading.

by Mark Elijah Rosenberg
January 23rd, 2011

The lead of Rooftop grantee Sean Durkin’s astonishing debut feature Martha Marcy May Marlene is one of the most fascinating and damaged characters in recent cinema.

by Dan Nuxoll
January 23rd, 2011

Updates from a busy third day of Sundance.

by Ruben Oestlund
January 22nd, 2011

The director is a small, bug-eating gnome. Between 25-35 years old, caucasian male with a bearded face.

by Emily Carmichael
January 22nd, 2011

My Sundance to do list: Arrive, replace toiletries thrown away by the TSA, watch non-California-based filmmakers sample oxygen bar with air of giddy why-notism.

by Dan Nuxoll
January 22nd, 2011

It is kind of hard to imagine that I only arrived in Park City at 7 PM Thursday. Something about seeing 7 feature films makes a day seem much too epic to have lasted merely 24 hours. But it was a tremendously satisfying day, to be sure, and I have already seen several films that [...]

by Mark Elijah Rosenberg
January 22nd, 2011

Dee Rees’ debut feature film Pariah demonstrates an insightful give and take of love and need, anger and forgiveness, anguish and growth in the life of a gay black teenage girl in Brooklyn.

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Rooftop Films is a New York based non-profit whose mission is to engage diverse communities by showing independent movies in outdoor locations, producing new films, coordinating youth media education, and renting equipment at low cost to artists.

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