Posts Tagged ‘Sundance’

by David Lowery
January 28th, 2011

It’s been a heck of a week. I received so many kind words from so many strangers – about my film, sure – but none so kind as those about my mustache.

by Calvin Lee Reeder
January 27th, 2011

Lindsay Pulsipher seems to survive this car crash better off than she did in Calvin Lee Reeder’s The Oregonian.

by Calvin Lee Reeder
January 27th, 2011

Hope he likes me.

by Ruben Oestlund
January 26th, 2011

Every year Sundance picks out movies to screen for students at Park City High School. I make the case for why kids shouldn’t decide for themselves what films they watch – we should decide for them.

by Mark Elijah Rosenberg
January 26th, 2011

Rooftop alum Todd Rohal’sThe Catechism Cataclysm follows the storyline of your typical road-trip movie. On a boat. With a priest. Who’s obsessed with bad heavy metal music.

by Mark Elijah Rosenberg
January 25th, 2011

I’m not usually a fan of “Midnight Movies”—horror, camp, sci-fi, B-movies, etc.—but three nights in a row I’ve loved Sundance’s 12am screenings at the Egyptian Theater.

by David Lowery
January 25th, 2011

My reflections on Sundance hotel room cable movie watching, my friend Todd Rohal’s hilarious film The Catechism Cataclysm and whether or not the party will, in fact, be cool.

by Mark Elijah Rosenberg
January 25th, 2011

Robert Longstreet is the first actor ever to have four movies at the Sundance Film Festival in the same year. As of today, I have collected them all.

by Dan Nuxoll
January 25th, 2011

Some news to start:
1. Remake rights to documentaries are selling today. The rights to make a fiction feature based on Bengali Detective (which I saw yesterday and liked) sold to Fox Searchlight and HBO bought the rights to Knuckle and plan to turn it into a TV show. In both cases I think they are [...]

by Ruben Oestlund
January 24th, 2011

Banksy, Martha Marcy May Marlene, and getting to see an edit of my new feature.

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Rooftop Films is a New York based non-profit whose mission is to engage diverse communities by showing independent movies in outdoor locations, producing new films, coordinating youth media education, and renting equipment at low cost to artists.

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