|8:30 PM||Live Music|
|10:45PM||Q&A with David and Nathan Zellner|
|11:30PM||After Party sponsored by New Amsterdam Spirits and Bulleit Bourbon|
Please note that roof seating will be first come, first served. Please arrive with your guests to guarantee seating in the same area.
Roof and Courtyard
220 36th Street, Brooklyn, New York, 11232
Take the D, N, or R trains to 36th Street
Tickets will be for sale at the door. Cash only. Special Sneak Preview. Austin-based filmmakers the Zellner brothers return to Rooftop with a touching absurdist odyssey starring Rinko Kikuchi as a Japanese woman who believes Fargo is a true story and ventures to Minnesota in search of the stolen money hidden during the classic Coen brothers film.
Kumiko The Treasure Hunter (David Zellner | 105 min.)
The Zellner Brothers present a touching absurdist odyssey starring Rinko Kikuchi (Pacific Rim, Babel) as a Japanese woman who believes Fargo is a true story and abandons her structured life in Tokyo to embark on an impulsive quest to the frozen Minnesota wilderness in search of this lost mythical fortune.
But make no mistake: This weirdly touching and ultimately quite sad character study echoes previous Zellner outings (and Rooftop Films selections) Goliath and Kid-Thing with its focus on interminably solitary individuals led down the rabbit hole of their absurd quests — only in this case, the outlandish aspects of the plot have been carefully embedded in the entirely believable pathos of its delusional star. The brothers' strongest emotional achievement, Kumiko, the Treasure Hunter pushes their style up to a new level of sophistication.
The movie opens with the grainy VHS image from the apocryphal opening title card of Fargo that professes its contents to be a true story. From there, the brothers — who co-write all their projects, while David directs solo — gradually lay out the quiet isolation that Kumiko (Kikuchi) experiences in her drab existence. Held down by a dead-end assistant job, she consoles herself by regularly spitting in her boss' tea, while staying up into the late hours of the night scanning individual frames from a dubbed version of Fargo to determine the location of the movie's suitcase full of money.
Kumiko eventually decides to journey to Minnesota, launching an odyssey that marks her transition from daydreamer to outright adventurer — although the mystique of her task creates an uneasy tension with its outright lunacy, and the results are constantly surprising and disarmingly beautiful. Kumiko, the Treasure Hunter both celebrates the escapist power of personal fantasies and bears witness to their dangerous extremes.
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