|10:30PM||Live performance by the Hypnotic Brass Ensemble|
For the eight members of the electrifying Hypnotic Brass Ensemble, brotherhood is more than an idea, it’s a literal fact, and music is more than something they play. It’s a way of life.
All the screenings at Metrotech Commons are presented in partnership with Downtown Brooklyn Partnership and Forest City Ratner.
Brothers Hypnotic (Reuben Atlas | USA | 82 min.)
Sunrise, somewhere in New York City. Eight young men raise eight brass horns to the brightening sky. A thrilling harmony of single notes spills forth. “Long tones were the first thing we ever learned,” one brother explains, “so every time we start out with that, because it’s the principle of simplicity, and the most basic thing is one note.” Another brother chimes in that when they were children, their father would always start their daily six a.m. family band practice with long tones. “Our father would tell us, hey that’s a great long tone, what he meant was, he could feel all of our energies connecting.”
The father in question is legendary anti-establishment trumpet player Phil Cohran, who raised his sons on jazz, funk, and Black Consciousness. As the film plays along, you will fall in love, not only with the Hypnotic brothers and their raucous, swinging, soul-tumbling music, but also with the very idea of music, with its power to elevate our every day existence. You will feel the swooping roller coaster of their successes and failures deep inside your stomach, from playing on the streets of New York to playing on stage with Mos Def, from lackluster album reviews to New York Times Arts Section front page profiles.
Most of all, you will root for them as they struggle to integrate the musical and political values of their father and take their rightful place at the vanguard of a new generation of socially-conscious, genre-defying musical heroes. Their struggle is our struggle, the one about stepping out of the shadows of our fathers and making our mark on this world. But their struggle features one hell of a soundtrack.
This free show at MetroTech Commons will feature a live performance by the brothers themselves directly afterwards.
- Lela Scott MacNeil
Hypnotic Brass Ensemble
HBE are eight brothers from the south side of Chicago. They come from an extraordinary musical family. Other sisters and brothers are professional musicians, their mothers are singers, and Philip Cohran, their father, has roots running back to Mississippi, his time in the musical hothouse of 1940s St Louis, and his seminal role with Sun Ra in Chicago in the 1950s. When Ra left for the east coast in 1960, Phil stayed in Chicago.
By the time the members of the HBE were growing up, Phil's work as a musical activist and educator had led to the establishment of a space called the Sun Ark in a warehouse behind the family home above a furniture shop. At night when they went to bed the children would hear their father rehearsing with his band the Circle Of Sound. They were wakened at 6 a.m. for several hours' music practice before going to school. From an early age they were a central part of their father's Youth Ensemble.
Coinciding with this involvement in their father's ethos was a parallel passion. "At night we used to sneak under the covers and listen to NWA and Public Enemy. Ice Cube and Eazy-E were our heroes." Very young, they formed their first group, GWC (Gangsters With A Curfew), which morphed into Wolf Pak (Wolves on the Lookout for Pigs And Klansmen). "We used to hum. We used to all hum the same way that we play our horns now, everybody on beat boxes or making harmonies, and we'd pass the mike around and rap."
By the end of the nineties, with everyone out of school, they brought together their musicianship, their jazz roots and their hip hop sensibility, and made a living busking on the streets of Chicago. They came up up with their name after an incident on the El: playing on the platform, a man in a suit watched them for hours, missing train after train, till in the end he walked up to them and said, "You guys just hypnotized me".
Crucial to the mix was their burgeoning skills as composers, which meant the music they played really was their own. (They wrote all of the tracks on this album except Alyo, written by their father, and Rabbit Hop, written by Moondog.) Eventually the group transferred to New York City, and after playing out relentlessly, including gigs with Mos Def and Erykah Badu, and some particularly incendiary shows in Europe, they have come to be known as one of the hottest and most individual bands around.