Engkwentro ("Clash")
Fiction Feature
$10 Online or at the door
Saturday May 22, 2010
8:00Doors Open
8:30Live Music by cloud.
9:00Film Begins
11:30After Party with FREE Radeberger Pilsner at Fontana's (105 Eldridge St.)
In case of rain, the screening will be rescheduled for a later date. Please check www.rooftopfilms.com or call 718.417.7362 for updates on the day of the event if the weather looks questionable.

VENUE
The roof of New Design High School (formerly Open Road)
Lower East Side
350 Grand Street, New York, NY 10002
F, J, M, Z to Delancey Street-Essex Street; B, D, Q to Grand Street

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This Show Presented in Partnership With
IFC
New York Magazine
Radeberger
Free Radeberger Pilsner at the after party!

US Premiere! On the mean streets of the Philippines, teen gangs run wild trying to survive with the specter of government death squads chasing them. The masterful debut feature from 22-year-old Pepe Dionko has won multiple awards at worldwide festivals.



Presented in partnership with: IFC, New York magazine, Radeberger, Open Road NY, New Design High School, Fontanas, the NYC Council Manhattan Delegation & NYS Senator Daniel L. Squadron


THE FILMS

Engkwentro ("Clash") (Pepe Diokno | Phillipines | 61 min.)
US Premiere. Engwentro ("Clash") begins with a chase, and never stops moving. Next to the title, we see a young man running in the dark. Minutes later, he's panting in an alleyway, his t-shirt ripped, his hair sweaty. His girlfriend hasn't hustled enough money for them to get out of the slums while the trouble blows over. He heads home, where along with his meth-addicted father and uncomfortable schoolboy brother they represent the past, present and future for men in this shantytown. Inspired by true events, the film follows the story of these two brothers, Richard and Raymond, as they try to head in opposite directions in life but clash on opposing sides of a gang war.

Throughout the course of the day, the two brothers wander and race through the slum's crowded alleyways. Richard, the older brother, steals and deals his way toward escape, while also trying to keep his brother Raymond out of trouble and in school. But Raymond sees the hopelessness of leaving, feel abandoned by his brother, and seeks the comfort and potential power in gang life. They stumble across the same dealers and fighters in a way that highlights the wild energy and liberation of these lives even within the confines of this repressive inescapable landscape. And their parallel stories frame a classical dramatic structure that is gripping and propulsive.

Told almost entirely in a single shot, the film has an impressive naturalism. Seemingly an astonishingly agile piece of verite cinema that unfolds in a dreamy approximation of real-time, the film is actually a masterpiece of narrative fiction, created on a labyrinth set constructed expressly for this script. 22-year-old first-time director Pepe Diokno timed out the dialogue and the action, and then built his locations with specific timing and distances in mind. This deft filmmaking netted Diokno the prize for best debut feature at the 2009 Venice Film Festival.

Omnipresent in the movie is the disembodied voice of the mayor, reciting motivational campaign speeches from radios, TVs and speaker trucks moving through the city. His repeated denials of the notorious City Death Squads in fact serve as a threatening Orwellian affirmation of these feared governmental vigilantes. Everyday, at least one person in the Philippines is murdered by unknown forces, widely believed to be paramilitary police units assigned to dispose of alleged gang members, petty criminals, drug dealers, and street children. And given the continuing inadequacy of the Philippine justice system, many Filipinos seem to accept the need for such brutality in approaching the nation's crime problem. This intense and engaging film serves to humanize the slum dwellers and criminals without shying away from their brutal and illegal ways.

Eventually the two brothers must face each other down in a dramatic midnight brawl. The emotional and moral climax is stunning, but the result hardly matters given the ultimate fate society deals to these kids.

- Mark Elijah Rosenberg

engkwentromovie.multiply.com

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Rooftop Films is a New York based non-profit whose mission is to engage diverse communities by showing independent movies in outdoor locations, producing new films, coordinating youth media education, and renting equipment at low cost to artists.

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